

Just Mercy (2019) tells the true story of Bryan Stevenson (played by Michael B. Jordan), a young Harvard-educated lawyer who founded the Equal Justice Initiative (EJI) and dedicated his career to defending those wrongly condemned to death. The film centers on Stevenson’s fight to exonerate Walter “Johnnie D” McMillian (played by Jamie Foxx), a Black man sentenced to death in Alabama for murder despite evidence that proved he was at a church fish fry 11 miles away when the crime occurred.
When Stevenson visits the death row inmates at Holman Correctional Facility, each person explains how their prior lawyers all made promises but either couldn’t or wouldn’t keep them.
McMillian is one of the inmates Stevenson meets. McMillian sums up his case by explaining that racist culture results in convictions and that, as in his case, “they don’t have to have no evidence.” Stevenson listens and takes McMillian’s words to heart. He stays up all night reading McMillian’s file, and reaches the same conclusion.
Later, after EJI colleague Eva Ansley (played by Brie Larson) receives a bomb scare related to her work on behalf of McMillian, she and Stevenson have a heart-to-heart about the case. Eva asks what they should do next. Stevenson says, “We start the investigation from scratch.”
And that’s exactly what he and Eva do. You see them knocking on the doors of witnesses, diving into law enforcement records, and talking with people and listening carefully to what they say. And it’s in the course of that basic but diligent and methodical investigation that Stevenson finds the keys to McMillian’s prison cell.
Just Mercy does a good job of showcasing the importance of good investigative work. As you watch the “do-over” investigation begin and progress, notice how Stevenson does not defer to the attorneys who worked the case before he did. He brings his own mind and critical thinking skills to the task.
For pro se litigants, investigation is also important, yet it’s often minimized or overlooked. Many people assume it’s enough that they know what happened. But knowing and proving are different things, and investigation is the bridge between the two.
So what does a good investigation look like? The answer is, as always, “it depends.” It depends on variables such as what the case is about, the theories of liability, defense theories, legal standards, the facts you need to prove the elements, and even who the parties are.
Investigatory methods fall into two broad categories: formal discovery devices and open source intelligence (OSINT). Formal discovery includes tools like interrogatories, requests for production of documents, and depositions that legally compel the other side to provide information once litigation has begun. OSINT involves gathering publicly available information—business filings, property records, social media posts, court dockets, and other accessible sources—that can be collected before or during litigation. Each approach has its place, and understanding when and how to use them strategically can mean the difference between a case that can’t cross the finish line and one that builds momentum toward resolution.
Speaking of building momentum toward resolution, note that the fruits of Stevenson’s investigation did not cause McMillian’s prison cell door to fly open. The evidentiary keys were necessary, but insufficient on their own, to turn the locks.
We see Stevenson use procedure and persuasive rhetoric to both get the evidence into the record and to frame that evidence within an emotional context. The methodical diligence Stevenson brought to his investigation he also brought into the courts.
Note that Stevenson’s persuasive rhetoric is on display near the end of the movie. While this may be for dramatic effect, it also hints at the reality that successful themes or narratives aren’t necessarily written at the outset of litigation. The theme or narrative that seems determinative at the beginning may need to be molded in response to new information obtained along the way.
Here is most (but not all) of Stevenson’s final argument in court:
It’s easy to see this case as one man trying to prove his innocence. But when you take a black man and put him on death row a year before his trial, and exclude black people from serving on his jury, when you base your conviction on the coerced testimony of a white felon and ignore the testimony of two dozen law-abiding black witnesses, when any evidence proving his innocence is suppressed and anyone who tries to tell the truth is threatened, this case becomes more than the trial of just a single defendant. It becomes a test of whether we’re going to be governed by fear and by anger, or by the rule of law.
If we’re going to just accept the system that treats you better if you’re rich and guilty than if you’re poor and innocent, then we can’t claim to be just.
If we say we’re committed to equal justice under law, to protecting the rights of every citizen regardless of wealth, race, or status, then we have to end this nightmare for Walter McMillian and his family.
The charges against him have been proven to be a false construction of desperate people, fueled by bigotry and bias, who ignored the truth in exchange for easy solutions, and that’s not the law. That’s not justice. That’s not right.
Note the summation of evidence that is included, and how it serves to ground the rhetoric in the reality of the case.
Through Stevenson’s investigation and uses of procedure, we witness how he uncovered suppressed evidence, challenged false testimony, and navigated a legal system designed to resist correction. While the film depicts post-conviction criminal defense work, Stevenson’s approach offers lessons for anyone navigating the courts: the meticulous documentation that builds a record, the storytelling that transforms legal arguments into human narratives, and the persistence required when the system seems indifferent to justice. For pro se litigants, McMillian’s case offers actionable lessons in how thorough preparation and compelling presentation can overcome seemingly insurmountable odds.
Read EJI’s summary of Walter McMillian’s ordeal here.
I streamed Just Mercy on HBOMax.com.
Copyright © 2026 by Sherri L. Renner, J.D. | All rights reserved
Sherri Renner, J.D., is the founder of LawYou America. She fully dedicates her education and years of litigation experience to helping the self-represented.